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I think no matter w hat I do, I’ll always be doing something creative, but it definitely won’t be no 9-5. If photography wasn’t an option, I would probably have pursued music academically which isn't necessarily the worst scenario, it just means I probably wouldn't enjoy it in the way I do now. I mean before I started my degree I almost considered becoming a joiner, not that it’s a bad career but I’m glad I pushed myself to find what it is I really want to do in life. If you didn't do photography what would you do? Without music I would probably have no or very little interest in photography, so I have to give it credit, big props. Over the past 5 years, I have been in 3 bands a s well as an arts collective (Different Life Collective) which ha ve taken me on multiple tours a round the U K, as well as Europe and Asia. I have always made sure I make time for music, because with music comes friendship and the se friendship s have brought opportunities to explore places I wouldn't have otherwise. I grew up hear ing my parents play Hip Hop, R&B and Metal and I was introduced into drums at around 5 years old, and I have not stopped playing since. From a young age, I was heavily exposed to alternative music and art in all sorts of forms. M usic is another side to me, but I couldn’t have one without the other and I wouldn’t have it any other way. Tell me more about your musical background? B oth her styling and the raw aesthetic makes the shoot look super clean, comfortable and natural.
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This was the first shoot for me using flash with my RB67 and I was blown away with the result s. Recently, I have created a lot of work I'm proud of, but my favourite shoot would have to be one I did with my partner Fiona in collaboration with her brand Trash Stitch. I became able to express design qualities through collaging and hand printing in my work, enabl ing me to really work with traditional processes in my own way. I'm not and never have been a strong painter, but when I started to use a film camera it felt like the right tool for me, it came so natura l l y. This handful of artists really inspired me to be where I am now, working with collaged design, text and portraiture. A s well as painters and artists like Keith Herring, Jean Michel Basquiat and KAWS. I would have to drop i n artists Chi Modu, Danny Hastings, Bruce Gilden, Edward Burtynsky, Bernd Becher and Hilla Becher. I t’s just something I picked up by myself and became completely fixated on.
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My exposure to photography started purely from me needing to fill an extra option at college, I never grew up with a relative’s hand me down camera or anyone in my family specialising in it.
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What was your exposure to photography before university? drk_room has collaborated with DLC on numerous occasions, and they are also an exciting prospect to come out of the city! After spending some time with drk_room I managed to speak with him further about a variety of things. I was lucky enough to meet drk_room at a live music event in October at Pepper Rocks Nottingham the event was hosted by the talented Nottingham based collective 'Different Life Collective'. With a distinctive photography style he hones in on mixing elements of graffiti, collaging and traditional hand printing to create expressive imagery. Drk_room is a Nottingham based photographer that shoots predominantly on Analogue and specialises in Portraiture, Documentary and Street photography.
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